• games //
    • 1000xRESIST
  • selected works //
    • 要是留著你 / IF [I WAS] TO RETAIN YOU
    • GIRL RIDES BIKE
    • new notations - for [multi] player
    • gestalt generation (no.1)
    • Parallax Chambers
    • MINE
    • Foxconn Frequency (no.3)
    • REVIVE
    • new eyes - for [single] player
    • Retainers of Anarchy
    • Visitors From Far Away To The State Machine
    • Foxconn Frequency (no.2)
    • No Foreigners
    • 8bitself
    • L I L A C
    • same same but different
    • Qanimts
    • Room 2048 (2048號房)
    • 越界/粵界 (transgression/cantosphere)
    • Foxconn Frequency (no.1)
    • stop/motion
    • maybe, whisper
  • companies //
    • sunset visitor 斜陽過客
    • hong kong exile
  • about
  • agenda
  • contact
  • Menu

Remy Siu

蕭逸南
  • games //
    • 1000xRESIST
  • selected works //
    • 要是留著你 / IF [I WAS] TO RETAIN YOU
    • GIRL RIDES BIKE
    • new notations - for [multi] player
    • gestalt generation (no.1)
    • Parallax Chambers
    • MINE
    • Foxconn Frequency (no.3)
    • REVIVE
    • new eyes - for [single] player
    • Retainers of Anarchy
    • Visitors From Far Away To The State Machine
    • Foxconn Frequency (no.2)
    • No Foreigners
    • 8bitself
    • L I L A C
    • same same but different
    • Qanimts
    • Room 2048 (2048號房)
    • 越界/粵界 (transgression/cantosphere)
    • Foxconn Frequency (no.1)
    • stop/motion
    • maybe, whisper
  • companies //
    • sunset visitor 斜陽過客
    • hong kong exile
  • about
  • agenda
  • contact
“There is something uniquely expressive about it,” says Adams. “You don’t get quite enough detail in the blank faces, for example, so your mind has to fill in the spaces. I think there’s a certain magic there.”
— http://www.torontostandard.com/culture-design/video-games-as-inputoutput-cinema

April 19, 2011
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